A police car and a screaming siren
Pneumatic drill and ripped-up concrete
– The Jam: That’s Entertainment, 1981
Better stop dreaming of the quiet life
‘Cos it’s the one we’ll never know
– The Jam: A Town Called Malice, 1982
Gritty urban realism. Recession.
That’s how it was then, and this is how it sounded. The Jam captured the mood of Britain at the start of the eighties. The loss of hope and the mindlessly brutal banality of an existence with no glimpse of economic rescue or absolution.
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