“The past is another country” — The Go Between, LP Hartley (1953)
August days are with us now, the ripe Lincolnshire corn shimmering tall and golden in late summer afternoons.
The stuffy, restrictive heat and bustle of London feels a world away from here.
The landscape has changed little across the years — parched harvest fields and desiccated stately lawns still wait ready for a boy or girl delivering some fateful message to Julie Christie in The Go Between or Keira Knightley in Atonement.
Only the slow progress of the monster machines that gather in the harvest serve to tell the tale of a landscape now worked with many fewer people.
Across long, easy days we cycle over gentle Jurassic hills. Three miles to reach another village, four villages to find a pub. It’s a pleasant way to slow down and find the summer.
The pace of life seems slow, and it’s hard to equate this landscape with a world speed record set three quarters of a century ago and still standing firm today.
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